Keyword search (4,163 papers available)

"Zatorre RJ" Authored Publications:

Title Authors PubMed ID
1 Auditory working memory mechanisms mediating the relationship between musicianship and auditory stream segregation Liu M; Arseneau-Bruneau I; Farrés Franch M; Latorre ME; Samuels J; Issa E; Payumo A; Rahman N; Loureiro N; Leung TCM; Nave KM; von Handorf KM; Hoddinott JD; Coffey EBJ; Grahn J; Zatorre RJ; 40226491
PSYCHOLOGY
2 Human Auditory-Motor Networks Show Frequency-Specific Phase-Based Coupling in Resting-State MEG Bedford O; Noly-Gandon A; Ara A; Wiesman AI; Albouy P; Baillet S; Penhune V; Zatorre RJ; 39757971
PSYCHOLOGY
3 Cortical-subcortical interactions underlie processing of auditory predictions measured with 7T fMRI Ara A; Provias V; Sitek K; Coffey EBJ; Zatorre RJ; 39087881
PSYCHOLOGY
4 Using cortico-cerebellar structural patterns to classify early- and late-trained musicians Shenker JJ; Steele CJ; Zatorre RJ; Penhune VB; 37326147
PSYCHOLOGY
5 Early musical training shapes cortico-cerebellar structural covariation Shenker JJ; Steele CJ; Chakravarty MM; Zatorre RJ; Penhune VB; 34657166
PSYCHOLOGY
6 Effector-independent brain network for auditory-motor integration: fMRI evidence from singing and cello playing Segado M; Zatorre RJ; Penhune VB; 33989814
PSYCHOLOGY
7 Evolving perspectives on the sources of the frequency-following response. Coffey EBJ, Nicol T, White-Schwoch T, Chandrasekaran B, Krizman J, Skoe E, Zatorre RJ, Kraus N 31695046
PSYCHOLOGY
8 Partially Overlapping Brain Networks for Singing and Cello Playing. Segado M, Hollinger A, Thibodeau J, Penhune V, Zatorre RJ 29892211
PSYCHOLOGY
9 Neural network retuning and neural predictors of learning success associated with cello training Wollman I; Penhune V; Segado M; Carpentier T; Zatorre RJ; 29891670
PSYCHOLOGY
10 Rhythm and time in the premotor cortex. Penhune VB, Zatorre RJ 31158227
PSYCHOLOGY
11 Practice makes plasticity. Steele CJ, Zatorre RJ 30482944
PSYCHOLOGY
12 The Music-In-Noise Task (MINT): A Tool for Dissecting Complex Auditory Perception. Coffey EBJ, Arseneau-Bruneau I, Zhang X, Zatorre RJ 30930734
PSYCHOLOGY

 

Title:Effector-independent brain network for auditory-motor integration: fMRI evidence from singing and cello playing
Authors:Segado MZatorre RJPenhune VB
Link:https://pubmed.ncbi.nlm.nih.gov/33989814/
DOI:10.1016/j.neuroimage.2021.118128
Publication:NeuroImage
Keywords:Auditory-motor integrationAuditory-vocal integrationMotor controlSingingcello playingfMRI
PMID:33989814 Category: Date Added:2021-05-19
Dept Affiliation: PSYCHOLOGY
1 Montreal Neurological Institute, Montreal, QC, Canada; BRAMS International Laboratory for Brain, Music, and Sound Research, Montreal, QC, Canada; Centre for Interdisciplinary Research in Music Media and Technology, Montreal, QC, Canada.
2 BRAMS International Laboratory for Brain, Music, and Sound Research, Montreal, QC, Canada; Centre for Interdisciplinary Research in Music Media and Technology, Montreal, QC, Canada; Department of Psychology, Concordia University, Montreal, QC, Canada. Electronic address: virginia.penhune@concordia.ca.

Description:

Many everyday tasks share high-level sensory goals but differ in the movements used to accomplish them. One example of this is musical pitch regulation, where the same notes can be produced using the vocal system or a musical instrument controlled by the hands. Cello playing has previously been shown to rely on brain structures within the singing network for performance of single notes, except in areas related to primary motor control, suggesting that the brain networks for auditory feedback processing and sensorimotor integration may be shared (Segado et al. 2018). However, research has shown that singers and cellists alike can continue singing/playing in tune even in the absence of auditory feedback (Chen et al. 2013, Kleber et al. 2013), so different paradigms are required to test feedback monitoring and control mechanisms. In singing, auditory pitch feedback perturbation paradigms have been used to show that singers engage a network of brain regions including anterior cingulate cortex (ACC), anterior insula (aINS), and intraparietal sulcus (IPS) when compensating for altered pitch feedback, and posterior superior temporal gyrus (pSTG) and supramarginal gyrus (SMG) when ignoring it (Zarate et al. 2005, 2008). To determine whether the brain networks for cello playing and singing directly overlap in these sensory-motor integration areas, in the present study expert cellists were asked to compensate for or ignore introduced pitch perturbations when singing/playing during fMRI scanning. We found that cellists were able to sing/play target tones, and compensate for and ignore introduced feedback perturbations equally well. Brain activity overlapped for singing and playing in IPS and SMG when compensating, and pSTG and dPMC when ignoring; differences between singing/playing across all three conditions were most prominent in M1, centered on the relevant motor effectors (hand, larynx). These findings support the hypothesis that pitch regulation during cello playing relies on structures within the singing network and suggests that differences arise primarily at the level of forward motor control.





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