Keyword search (4,164 papers available)

"Penhune VB" Authored Publications:

Title Authors PubMed ID
1 Tuned to walk: cue type, beat perception, and gait dynamics during rhythmic stimulation in aging Parker A; Dalla Bella S; Penhune VB; Young L; Grenet D; Li KZH; 41661338
PSYCHOLOGY
2 Patterns of Cerebellar-Cortical Structural Covariance Mirror Anatomical Connectivity of Sensorimotor and Cognitive Networks Alasmar Z; Chakravarty MM; Penhune VB; Steele CJ; 39791308
SOH
3 The pleasurable urge to move to music is unchanged in people with musical anhedonia Romkey ID; Matthews T; Foster N; Dalla Bella S; Penhune VB; 39774498
PSYCHOLOGY
4 Music reward sensitivity is associated with greater information transfer capacity within dorsal and motor white matter networks in musicians Matthews TE; Lumaca M; Witek MAG; Penhune VB; Vuust P; 39052097
PSYCHOLOGY
5 Context changes judgments of liking and predictability for melodies Albury AW; Bianco R; Gold BP; Penhune VB; 38034280
PSYCHOLOGY
6 Using cortico-cerebellar structural patterns to classify early- and late-trained musicians Shenker JJ; Steele CJ; Zatorre RJ; Penhune VB; 37326147
PSYCHOLOGY
7 Early musical training shapes cortico-cerebellar structural covariation Shenker JJ; Steele CJ; Chakravarty MM; Zatorre RJ; Penhune VB; 34657166
PSYCHOLOGY
8 Effector-independent brain network for auditory-motor integration: fMRI evidence from singing and cello playing Segado M; Zatorre RJ; Penhune VB; 33989814
PSYCHOLOGY
9 The sensation of groove engages motor and reward networks. Matthews TE, Witek MAG, Lund T, Vuust P, Penhune VB 32217163
PSYCHOLOGY
10 Music predictability and liking enhance pupil dilation and promote motor learning in non-musicians. Bianco R, Gold BP, Johnson AP, Penhune VB 31745159
PSYCHOLOGY
11 The descending motor tracts are different in dancers and musicians. Giacosa C, Karpati FJ, Foster NEV, Hyde KL, Penhune VB 31620887
PSYCHOLOGY
12 Dance and music share gray matter structural correlates. Karpati FJ, Giacosa C, Foster NEV, Penhune VB, Hyde KL 27923638
IMAGING
13 Efficacy of Auditory versus Motor Learning for Skilled and Novice Performers. Brown RM, Penhune VB 30156505
IMAGING
14 The effects of practice and delay on motor skill learning and retention Savion-Lemieux T; Penhune VB; 15551084
MLNP
15 Developmental contributions to motor sequence learning Savion-Lemieux T; Bailey JA; Penhune VB; 19363605
CONCORDIA
16 Parallel contributions of cerebellar, striatal and M1 mechanisms to motor sequence learning Penhune VB; Steele CJ; 22004979
PSYCHOLOGY
17 The Impact of Instrument-Specific Musical Training on Rhythm Perception and Production Matthews TE; Thibodeau JN; Gunther BP; Penhune VB; 26869969
PSYCHOLOGY
18 The sensation of groove is affected by the interaction of rhythmic and harmonic complexity Matthews TE; Witek MAG; Heggli OA; Penhune VB; Vuust P; 30629596
MLNP
19 The effect of practice pattern on the acquisition, consolidation, and transfer of visual-motor sequences Savion-Lemieux T; Penhune VB; 20526710
CRDH
20 The role of musical training in emergent and event-based timing. Baer LH, Thibodeau JL, Gralnick TM, Li KZ, Penhune VB 23717275
CRDH
21 Effects of age and cognitive load on response reprogramming. Korotkevich Y, Trewartha KM, Penhune VB, Li KZ 25511168
CRDH
22 Regional cerebellar volumes are related to early musical training and finger tapping performance. Baer LH, Park MT, Bailey JA, Chakravarty MM, Li KZ, Penhune VB 25583606
PSYCHOLOGY
23 Contributions of age of start, cognitive abilities and practice to musical task performance in childhood Ireland K; Iyer TA; Penhune VB; 31022272
CONCORDIA
24 Rhythm and time in the premotor cortex. Penhune VB, Zatorre RJ 31158227
PSYCHOLOGY
25 Structural Covariance Analysis Reveals Differences Between Dancers and Untrained Controls. Karpati FJ, Giacosa C, Foster NEV, Penhune VB, Hyde KL 30319377
PSYCHOLOGY

 

Title:The role of musical training in emergent and event-based timing.
Authors:Baer LHThibodeau JLGralnick TMLi KZPenhune VB
Link:https://www.ncbi.nlm.nih.gov/pubmed/23717275?dopt=Abstract
Publication:
Keywords:
PMID:23717275 Category:Front Hum Neurosci Date Added:2019-06-07
Dept Affiliation: CRDH
1 Department of Psychology, Centre for Research in Human Development, Concordia University Montréal, QC, Canada.

Description:

The role of musical training in emergent and event-based timing.

Front Hum Neurosci. 2013;7:191

Authors: Baer LH, Thibodeau JL, Gralnick TM, Li KZ, Penhune VB

Abstract

INTRODUCTION: Musical performance is thought to rely predominantly on event-based timing involving a clock-like neural process and an explicit internal representation of the time interval. Some aspects of musical performance may rely on emergent timing, which is established through the optimization of movement kinematics, and can be maintained without reference to any explicit representation of the time interval. We predicted that musical training would have its largest effect on event-based timing, supporting the dissociability of these timing processes and the dominance of event-based timing in musical performance.

MATERIALS AND METHODS: We compared 22 musicians and 17 non-musicians on the prototypical event-based timing task of finger tapping and on the typically emergently timed task of circle drawing. For each task, participants first responded in synchrony with a metronome (Paced) and then responded at the same rate without the metronome (Unpaced).

RESULTS: Analyses of the Unpaced phase revealed that non-musicians were more variable in their inter-response intervals for finger tapping compared to circle drawing. Musicians did not differ between the two tasks. Between groups, non-musicians were more variable than musicians for tapping but not for drawing. We were able to show that the differences were due to less timer variability in musicians on the tapping task. Correlational analyses of movement jerk and inter-response interval variability revealed a negative association for tapping and a positive association for drawing in non-musicians only.

DISCUSSION: These results suggest that musical training affects temporal variability in tapping but not drawing. Additionally, musicians and non-musicians may be employing different movement strategies to maintain accurate timing in the two tasks. These findings add to our understanding of how musical training affects timing and support the dissociability of event-based and emergent timing modes.

PMID: 23717275 [PubMed]





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